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Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a wise freshening with a classic tale, but because it allows for therefore much more past the Austen-issued drama.
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Yang’s typically preset yet unfussy gaze watches the events unfold across the backdrop of fifties and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial legislation and the shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of 1 of its useless leaders — feel nationwide in scale.
Well, despite that--this was amongst my fav Korean BL shorts and I Definitely loved the subtle and soft chemistry between the guys. They were just somehow perfect together, in a method I can't quite place my finger on.
The patron saint of Finnish filmmaking, Aki Kaurismäki more or less defined the country’s cinematic output during the 80s and 90s, releasing a gentle stream of darkly comedic films about down-and-out characters enduring the absurdities of everyday life.
Taiwanese filmmaker Edward Yang’s social-realist epics frequently possessed the daunting breadth and scope of the great Russian novel, from the multigenerational family saga of 2000’s “Yi Yi” to 1991’s “A Brighter Summer Day,” a sprawling story of 1 middle-class boy’s sentimental education and downfall established against the backdrop of the pivotal minute in his country’s history.
Seen today, steeped in nostalgia for that freedoms of a pre-handover Hong Kong, “Chungking Express” still feels new. The film’s lasting power is especially impressive inside the face of such a fast-paced world; a world in which nothing could be more precious than a concrete offer from someone willing to share the same future with you — even if that offer is written on the napkin. —DE
The relentless nihilism of Mike Leigh’s “Naked” can be a tube8 hard capsule to swallow. Well, less a tablet than a glass of acid with rusty blades for ice cubes. David Thewlis, in a breakthrough performance, is over a dark night on the soul en route sophia leone to the top of the world, proselytizing darkness to any poor soul who will listen. But Leigh makes the journey to hell thrilling enough for us to glimpse lesbian porn videos heaven on the way there, his cattle prod of a film opening with a sharp shock as Johnny (Thewlis) is pictured raping a woman in a very dank Manchester alley before he’s chased off by her family and flees to a crummy corner of east London.
The people of Colobane are desperate: Anyone who’s anyone has left, its properties neglected, its remaining leaders inept. An important infusion of cash could really turn things around. And she makes an offer: she’ll give the town riches over and above their imagination if they conform to kill Dramaan.
However, if someone else is responsible for creating “Mima’s Room,” how does the site’s web site appear to know more about Mima’s thoughts and anxieties than she does herself? Transformatively tailored from a pulpy novel that experienced much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of a full-on psychic collapse (or two).
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“Saving Private Ryan” (dir. Steven Spielberg, 1998) With pornyub its bookending shots of the Sunlight-kissed American flag billowing in the breeze, you pronhud wouldn’t be wrong to call “Saving Private Ryan” a propaganda film. (Probably that’s why 1 particular master of controlling countrywide narratives, Xi Jinping, has said it’s one among his favorite movies.) What sets it apart from other propaganda is that it’s not really about establishing the enemy — the first half of this unofficial diptych, “Schindler’s List,” certainly did that — but establishing what America can be. Steven Spielberg and screenwriter Robert Rodat crafted a loving, if somewhat naïve, tribute to The reasoning that the U.
centers around a gay Manhattan couple coping with huge life modifications. One among them prepares to leave to get a long-expression work assignment abroad, and the other tries to navigate his feelings for the former lover who's living with AIDS.